⌚ Love In Diane Williams Short Story All American

Saturday, September 18, 2021 7:33:05 AM

Love In Diane Williams Short Story All American



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COLLECTED STORIES by Diane Williams

But this is no violin! The last line could mean: gosh, this is a dangerous action to perform with a sharp knife, she should be more careful. Or it could just as well be an actual plea for the woman to decapitate herself. Below the surface of an apparently banal line of speech opens a chasm of potential horror. More often, though, the chasm is one of comical misunderstanding or disconnection. How clean she was and how calm.

Occasionally there is an outright joke. Who are all these people? They are the way they speak, the surprising ways they have of observing the world. Or it can produce something that just seems hermetic and odd. Short stories. Exquisitely deadpan … Diane Williams. Steven Poole. Fri 21 Oct A brief survey of the short story: John Updike. Read more. This becomes especially clear when considering her entire body of work. Williams has no less exacting an eye as the founder and editor of the avant-garde annual NOON , one of the most carefully curated and consistently excellent literary journals published today.

One reads a Diane Williams sentence—each a charged, quaking world unto itself—as one reads each individual story: with little sense of where it will go. Each opening line throws the reader into an uncanny conflict, a tilted mood, a precarious predicament. Narratives turn on a dime. The stories that circle back on themselves are usually the most conventionally gratifying, their intent more recognizable; the others can sometimes feel arbitrary, or merely unknowable, and yet uncertainty is frequently the point. By embracing confusion, Williams shows a commitment to her own singular vision, one that resists satisfying the expectations of traditional fiction.

Tensions arise within sentences, and in the surprising leaps made from one to the next. That Williams slackens the reins enough to follow her intuition where it may lead while exhibiting such extreme control at the sentence level is nothing short of genius, and one of the great pleasures of reading her. Her stories are at once unhinged and rigidly coiled, suffused with play and self-awareness. Spin that record, babe! Get a 3-speed record player that can handle 7", 10", and 12" vinyl with built-in speakers and a replacement needle to boot.

Likewise, the first-person often bleeds into the third. These shifts mirror the indefinite, blurred positions her characters occupy.

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