✎✎✎ Bayeux Tapestry Analysis

Monday, July 19, 2021 11:09:08 PM

Bayeux Tapestry Analysis

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The Bayeux Tapestry

It was December and Marquis reentered the French army and was the organizer of agreements. How far can the lusting of power drive one innocent man? Throughout the play, Macbeth attempted to gain power by becoming king. Although he succeeded, the process definitely led him down a path of destruction. Ambition highly influenced many of the characters: Macbeth was willing to do anything to get to the throne, Lady Macbeth was even more eager to become queen, and finally Macduff abandoned his family for Scotland.

The book by R. Thus the Assembly took steps to prepare the nation for war. At the same time, there was a group who asked for trailing the King. In the speech of the Virginia convention the writer Patrick Henry known as the orator of Liberty. He wrote in all ways in this story, ethos, pathos, and logos. He wrote on going to war with Britain, because his fellow country people were eventually going to be taken over if they did not stand up and go to war with Britain. They would eventually become slaves for Britain, so Patrick Henry was trying to convince the people to stand up with their country to beat Britain. My story will be written on the ways Patrick Henry used ethos, pathos, and logos to persuade the people to go to war.

The Speech of Desperation Patrick Henry was a man who wanted to start a militia and fight the British , by doing so he told his convincing speech of his own words and those who were at the second Virginia convention never forgot his bold and emotional closing words. He used logos to induce the people listening to his speech at the Virginia Convention. The persuasive technique Patrick Henry had used for his speech was mostly. Before Patrick went up there were other men that had spoken before him, these men were speaking their views on whether or not they should initialize the war. Rhetorical Analysis The speech that was delivered by William Wallace in the movie Braveheart, was meant to persuade the soldiers to fight for their freedom even though they were grossly out-numbered by the English.

In the early 13th century the Scottish and the English were fighting in the First Wars of Independence. King Edward I of England was successful in conquering this land an was trying to rid Scotland of their clans. William Wallace was a land owner who married his childhood friend Murron in secret because the lords of the land had the right to have their way with the women on their wedding nights. One of the most prominent examples of resistance to absolute monarchy came, in England, where King and Parliament struggled to determine the roles each should play in governing England Duiker James I espoused the divine right of kings, a viewpoint that alienated Parliament, which had grown accustomed under previous rulers to act on the premise that monarch and Parliament together ruled England as balanced polity Duiker The Puritans were the Protestants within the Anglican.

The colonists began to accumulate arms and prepare for what they felt was an inevitable battle with the oppressive British Army. The British had to walk through Lexington in order to get to Concord, but since they had met up with patriots ready to fight in Lexington, a battle stemmed. How the patriot leaders got word of this was to have come from Margaret Kemble Gage. In , Charles made a sacred agreement with the Scots and was pronounce king of the Scots. With an inadequate Scottish army he had all intentions to invade England, however he was easily defeated by Cromwell at the Battle of Worcester in Charles II; now the king, was once.

The combined efforts of our strength, with the help of the French will prove to be the key to winning this war. By examining representations of everything from boats and weapons to costumes, they would provide irrefutable scientific evidence that the tapestry was a testament to Germanic hegemony in early medieval Europe. Rolf Alber, photographer and war reporter, was to shoot new images of the tapestry, in both black-and-white and colour. First, though, they had to gain access to the embroidery — and that would prove surprisingly problematic. The French were reluctant to allow this to continue and, in a classic delaying tactic, began insisting that all permissions to view the tapestry be signed by the proper authorities in Paris.

As a result, following their arrival in Bayeux on 8 June , Jankuhn and his team would have to wait days before beginning their work. They hit a stumbling block on 29 June, when Alber returned to military service. On 1 August, the tapestry was returned to its concrete bunker in Bayeux. The first stage of Special Assignment Bayeux may have come to an end, but the Nazi obsession with the Bayeux Tapestry was showing no signs of abating.

They envisaged a book that would present essays on the past scholarship of the embroidery, its physical details, its historical authority, its significance for the history of culture. The book would also contain a study of the fabric and embroidery, and an analysis of its material and colour. All of this was undertaken with one overriding ambition: to prove that the Normans were still true, untainted Vikings — representatives of the pure Nordic Aryan race. Herbert Jankuhn had little doubt that Special Assignment Bayeux had achieved just that. The tapestry not only exudes genuine Germanic joy in the tradition of heroic deeds, but also the statesmanlike desire to justify the campaign in England as a legal operation and political necessity.

In short, Special Assignment Bayeux was to reclaim the tapestry as a perfect fit with Nazi pan-Germanic ideology, since it bore witness to the early unification of the Germanic cultures of Scandinavia, Normandy and England. His fear that it would fall into enemy hands became apparent on 27 June, when the Gestapo moved the embroidery — without notice and despite local French protest — from Sourches to the basement of the Louvre. Obsessed with the idea that the SS was a revival of the medieval Teutonic knights, Himmler imagined the castle as the home of modern Nazi Knights of the Round Table. The crypt, designed to hold the ashes of SS leaders, was named Valhalla.

Himmler installed his own collection of ancient and medieval weapons in the castle, and indicated he wanted tapestries hung on the walls. This would have been an apt location for the Bayeux Tapestry, which he considered a great testament to an earlier Germanic-Nordic-Aryan triumph. On 31 March , with US forces closing in, Himmler ordered the castle dynamited, along with its contents.

Fortunately, the Allies had already found the Bayeux Tapestry safe in its temporary home in the basement of the Louvre. On 2 March , after going on display in an exhibition in the art museum, it was returned to Bayeux. And there it has remained since.

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